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Despite the genius of a film like Jaws — a straightforward plot with an unthinking, unfeeling villain that plays on our most primal fears — there are quite a few mistakes in the movie. Superman himself was a massive hit, and by 1940, less than two years later, the newsstands were flooded with hundreds of new characters, most of which you've probably never heard of: The Green Turtle, Stardust the Super-Wizard, the Blonde Phantom, the Boy King and his Giant, Nightmare and Sleepy — those are some of the most well-known characters from that original boom that didn't survive. Chris Sims | Greater St. Louis Area | Board Member, Donor, Instructor at Create a LOOP | 500+ connections | View Chris's homepage, profile, activity, articles It's not exactly flawless, but there's a strong argument to be made for Chris Onstad's Achewood as the single best comic of the 21st century. For a comic that was based on a toy line and existed almost entirely to get impressionable kids to buy action figures, Larry Hama's run on G.I. While the company would formally be known as National Periodical Publications into the '70s, they'd eventually rebrand around their other flagship character as "Detective Comics" — DC for short. The natural endpoint of wondering if Thor could beat Superman in a fight? One of the many benefits that DC got from absorbing so many of their competitors in the '40s and '50s was that they got Otto Binder, the writer who had made Captain Marvel Adventures such a huge success, and made him one of the primary architects of the Superman titles. With over a dozen major appearances in TV, movies, and video games, the varied interpretations of the Clown Prince of Crime have cast a pretty wide net from amazing to terrible, and we've taken the time to rank them all from worst to best. Articles by Chris Sims on Muck Rack. "When you're being sued under anti-trust laws," wrote Shooter in 2011, "it's a bad time to devour your largest competitor. Not only does it mark the return of the one true Cobra Commander—who literally kicks a puppy on the first page—but he takes over a town by preying on economic anxiety and claims that they're the real Real Americans. Christopher Albert "Chris" Sims (21 de octubre de 1942) es un econometrista y macroeconomista estadounidense.. Actualmente ejerce de Profesor de Economía y Finanzas en la Universidad de Princeton. It was about Batman standing, more than anything else, as a force against nihilism. The twist is that Dr. Bedlam has mind-controlled the building's innocent occupants into a murderous mob hell-bent on killing Scott Free. Subscribe. If you'd like to ask Chris a question, please send it to @theisb on Twitter with the hashtag #WhatsUpChris, or email it to staff@looper.com with the subject line "That's What's Up. By using our Services, you agree to our use of cookies. The comic book characters The Boys fans want to see in the show. But how did we get to this point? The next time you watch, keep an eye out for these silly screw-ups that everyone just ignored. If you'd like to ask Chris a question, please send it to @theisb on Twitter with the hashtag #WhatsUpChris, or email it to staff@looper.com with the subject line "That's What's Up. That makes sense, too, since Nintendo got the legendary Shotaro Ishinomori—the guy who created Kamen Rider and the Power Rangers franchise, among other things—to tell the story. Successfully Subscribed! The most successful of these by far was, of course, Captain Marvel, the character who would eventually become known as Shazam. This leads to 16 pages of stories in which the the two ducks have to "climb" across floors and walls and risk "falling" sideways to their deaths. Cookies help us deliver our Services. That popularity gave Superman and his publishers a durability that allowed them to weather the oncoming storm. Únete a Facebook para estar en contacto con Chris Sims y otras personas que tal vez conozcas. It might seem goofy for Superman to carve his final message to Earth on the face of the moon—and it is—but there's a mythological quality that makes it work. And then Stan Lee and Jack Kirby came along and completely reinvented superheroes. Lee's brand-building diatribes eventually got so bad that readers who enjoyed both publishers wrote in asking him to stop insulting their taste. Yes, the Riddler. Here you can find the best clothing, makeup, & accessories for your Sims. When X-Men was the most popular Marvel book in the '80s, for instance, DC hired two creators who had started at Marvel, George Pérez and Marv Wolfman, to do their own similar superhero soap opera with New Teen Titans. While the most enduring part of her run was the introduction of Typhoid Mary, the good stuff goes far beyond that, building to an arc with artist Kieron Dwyer where Bullseye starts impersonating Daredevil in order to ruin his reputation, and winds up truly believing he is Daredevil. The ongoing dramas and soap operatic plots that influenced the Marvel books found a foothold with older readers — notably older teens and the college crowd — while the competition was still targeting a younger audience. Mora's art is great for a story of Santa Claus as a fantasy hero, and as for the story, well, it's undeniably Morrison, full of stuff like toy-making elves that are actually aliens from a psychotropic higher dimension. It's so iconic that I've described it before as "the one where Spider-Man does the thing"—lifting that wreckage because he needed to do it has become his defining trait. In the wake of Fantastic Four, Lee, Kirby, Steve Ditko, Marie Severin, Don Heck, and the other members of the original Marvel bullpen launched more series, and virtually all of them were a hit. ", The untold truth of the Marvel vs. DC rivalry. Was it just a good-natured competition that was taken to the extreme? Fair warning: this one might actually be the most biased pick on the list, as Kyle Starks is a friend of mine. For all the love 'Saved by the Bell' currently receives from nostalgic grown-ups, there's still a whole lot about the show most fans haven't learned. Year One was rooted in the urban crime wave of the '80s and all that came with it, a darker and (slightly) more realistic version of Batman than we'd seen before. The art's beautiful, especially the way Hellboy himself is colored as a flat, bright red against the story's dark backgrounds, and it also underlines how adaptable he is as a character. Explore this storyboard about Movies, Marvel Television, Marvel Entertainment by Looper on Flipboard. As it often is, the truth is a little more complicated, and winds its way through everything from irate editors to softball games. Like All Star, the premise involves Superman finding out he's dying, and trying to do what he can to leave the world a better place before he's no longer around to save it. Just go with it. Spider-Man co-creator Steve Ditko left Marvel a few years earlier, partly due to a similar personal conflict with Lee that saw their last year of Amazing Spider-Man stories produced without the two of them speaking to each other. Get the latest news, stats, videos, highlights and more about quarterback Chris Simms on ESPN. Walt Simonson's run on Thor defined the character in a way few creators have ever managed approach. By the end of the '80s, there was a corporate element to it, too. It comes down to the approach. When superheroes lost their popularity after World War II and comics publishing experienced its first collapse, Superman was one of the few to stick around uninterrupted. In terms of pure bang for your buck, Jack Staff's the best thing that's ever been on a comic shop shelf. The Golden Age also prompted something that would become something of a tradition in superhero comics: taking the most popular thing in the medium, ripping it off, and putting your own spin on it. Here's the truth behind the rivalry between Marvel and DC. Since they'd cornered the market on the most popular characters in the genre — and since they'd been one of the primary forces behind the restrictive censorship of the Comics Code Authority, which kicked the legs out from under the popular crime and horror publishers who had filled the void after the superhero crash — DC cruised on through the '50s with virtually no competition. It's worth noting that Superman's impending death is, of course, a bit of a hoax on Hamilton and Swan's part, but it's so good that it doesn't actually matter, and stands as one of the best stories of the entire Silver Age of comics. Join Facebook to connect with Chris Looper and others you may know. The only difference between this story and one of the lurid tales about Gruto and Korilla is that the people who would've been the tragic figures in a sci-fi comic triumphed and came back the next month to do it all again. After the Golden Age, the company that had originally published Captain America Comics limped along under a couple different names (Timely, then Atlas). Taken as a whole, it's arguably the best and most consistent collection of superhero comics ever, and it has some of the best moments in Marvel history. Either way, Kirby's tenure at DC proved that even the most Marvel Comics creator there was could cross the street, and that DC was willing to try their own hand at replicating the success of others. We don't have satellites capable of performing "Electro-Hormone Surgery" from orbit just yet, but the villains of OMAC were the ones creating artificial "friends" that could be rigged to explode, or the super-rich who lived outside the law. It was the most afraid I've ever been of a supervillain. It skews away from the darkness of Year One rather than trying to recreate it, and the result is a colorful, action-packed superhero story with Batman fighting against bone monsters and the Riddler's plan to jumpstart the apocalypse. The bigger trick, though, is that for all that its characters are relatable and human, they're in the kind of stories that you can only tell with giant transforming robots who have lifespans in the millions of years and warp drives that create alternate universes based on quantum probability. Â. They're just a very different kind of good from what Marvel was doing, and when you saw the two companies' mags next to each other on the newsstand, the DC books looked basically the same as they had for ten years. Originally told in two-page installments, it's based on bits of English and Irish folklore, and finds Hellboy traveling to three graveyards to bury a surprisingly snarky corpse before dawn in order to rescue a child who's been kidnapped by the Sidhe. The big trick of MTMTE, and its follow-up series Lost Light, is that it's about giant transforming robots that are written as people, with all the relatable neuroses and flaws people have. . By using our Services, you agree to our use of cookies. The thing is, Lee and Kirby approached things a little differently. By 1976, though, he was back at Marvel with the same level of creative control, doing his third run of Captain America and creating The Eternals, another mythical saga of space gods. For years, Frank Miller and David Mazzucchelli's Batman: Year One was my all-time favorite comic, and definitely my favorite Batman story. They've got experience publishing comics, right? He's a friend to children who brings presents and battles against the somber bitterness of Grimsvig, but he's also an action hero with a direwolf pulling his sleigh and a sword to wield against the wicked. He was writing and drawing a complete, often groundbreaking comic every two weeks, introducing a grand mythology that was built around a conflict with Darkseid, an alien god who embodied evil. With the filmgoing public eagerly buying tickets to see their favorite superheroes shine on the big screen again and again, here's a look back at a collection of canceled Marvel projects that will never get a chance to rival Endgame.. Mister Miracle #3 manages to do both at the same time. Plus, the Marvel books were really good, with Lee's over-the-top dialogue soaring along with Kirby and Ditko's increasingly stylized art. Chris Sims | Kansas City, Missouri Area | SENIOR SYSTEMS ANALYST/DEVELOPER at GiADD Technology Solutions | 92 connections | See Chris's complete profile on Linkedin and connect But guided by visual effects supervisor Karen Goulekas and teams of artists across the globe, Looper ended up with 388 shots. When Ray Smuckles, the strip's thong-wearing de-facto main character, discovers his father is a former winner, he decides to enter and win, with his perpetually depressed best friend Roast Beef joining him as a sidekick and "fight scholar." View the profiles of people named Chris Sims. Great Outdoor Fight is the strip's best story in a walk. The short version was that someone at Warners realized that while the characters were a gold mine for action figures and other licensed products, DC was losing money publishing comics, and figured they'd be better off letting someone else publish them. There's a lot of different qualifiers, but there's one answer I almost always give when I'm asked for my favorite comic: Paul Grist's Jack Staff. As the people in the offices were all located in New York (DC relocated to Los Angeles in 2015), most of them were even friends — there's a truly weird unofficial crossover from 1972 in which a group of creators were on a road trip that took them through DC's Justice League of America and Marvel's Amazing Adventures and Thor. [1] El 10 de octubre de 2011 fue laureado con el Premio del Banco de Suecia en Ciencias Económicas en memoria de Alfred Nobel compartido con Thomas Sargent. If it had happened a few years earlier or later, the comics industry could be very different today, and it got as far as Shooter making a full pitch for how they'd pull it off. By the '80s, he was mostly working in the more stable field of animation, but went back to DC for Super Power and The Hunger Dogs. Find Chris Sims's email address, contact information, LinkedIn, Twitter, other social media and more. He was such a blatant knockoff, in fact — to the point where he's even throwing a car around on the cover of his first appearance, just like Superman — that he was eventually ruled to be infringing on the copyright, which led to DC eventually acquiring the character 40 years later. Each week, comic book writer Chris Sims answers the burning questions you have about the world of comics and pop culture: what's up with that? It shouldn't come as a surprise, then, that Grant Morrison and Dan Mora's Klaus, an origin story for Santa Claus that reads like the Rankin-Bass Santa Claus Is Comin' to Town rewritten to star Batman, is one of my favorite things ever. Each week, comic book writer Chris Sims answers the burning questions you have about the world of comics and pop culture: what's up with that? Sign in. There are so many great ones, so many incredible long runs and mind-blowing single issues, that it's hard to figure out how to narrow it down—and even if I do, there's a good chance that tomorrow, I'll be reminded of how great the Bob Haney/Ramona Fradon issues of Metamorpho were, and have to decide if those should be on the list instead. I was never a Transformers fan growing up, but so many people told me that More Than Meets the Eye, by James Roberts, Nick Roche, Alex Milne, Brendan Cahill, and others, was the best comic going that I finally broke down and read it a couple years ago. He worked out a lot of his frustrations there, too, particularly through a pretty vicious parody of Stan Lee named Funky Flashman who showed up in Mister Miracle. Stan Lee, who positioned himself as the friendly face of Marvel Comics — which, not coincidentally, involved actually crediting the writer, artist, and letterer in every issue, something DC wouldn't get around to for another decade — seized on this. I'm someone who has some pretty hard opinions on things, and if you'd ask me my favorite piece of virtually any other medium, I'd be able to tell you easy. I will never understand why Ann Nocenti's run as the writer of Daredevil isn't as well-known or beloved as Frank Miller's. The corporate world's most successful attempt to inspire brand loyalty for what basically amounts to a product? That's the issue that's all full-page splashes, where Thor fights the Midgard Serpent and hits him so hard that he breaks every bone in his own body.Â. As Shooter recounts, there was a moment in 1984 when Marvel came very close to taking over the entire DC Universe — literally. Technically, comic books had existed long before Superman burst onto the page in 1938, and even the idea of telling long-form adventure stories with panels and word balloons wasn't exactly new. It's brilliant, and if you've never read it and want a bite-size sample of how good Uncle Scrooge can be, it's well worth seeking out. Marvel. Like and Leave Tips. It's one of those books that does everything right, with some of the most innovative craftsmanship that I've ever seen. Christopher has 8 jobs listed on their profile. Join Facebook to connect with Chris Sims and others you may know. If Ben Grimm was the prototype of the hard-luck hero, Peter Parker was the refined version, and this story has all the never-say-die emotion of that MTIO Annual ramped up to the millionth degree. When Jerry Siegel and Joe Shuster finally got someone to take a chance on the pitch they'd been shopping around for a few years about a baby from the planet Krypton who grew up to be Earth's greatest hero, though, they changed pretty much everything about the medium and ushered in a revolutionary new genre. They'd tried to revive their most popular character in the '50s as Captain America: Commie Smasher, but wound up with an extremely short run of comics so ill-advised and jingoistic that they were later retconned to be the adventures of a fake Cap whose bootleg super soldier serum had driven him insane. The '50s era of sci-fi Batman stories isn't remembered all that fondly, but Binder's work on Superman was full of concepts that are still in use today, from Brainiac to the Phantom Zone to Supergirl. Finally, we have my pick for what is objectively the single best comic book ever printed: "The Final Chapter" from Amazing Spider-Man #33. The untold truth of Donald Duck. He played college football at Texas. That enduring popularity, along with the fact that everyone else was floundering, also gave that publisher the chance to acquire or merge with many of their former competitors, one of which would give them a new name. Rather than just having a handful of super-powered good guys trounce an alien threat, they structured their "superheroes" like one of their sci-fi horror comics. Their flagship character had even leaped over the transition from radio to television in a single bound. What you don't know about the Umbrella Academy spin-off. By Chris Sims / March 19, 2020 3:54 pm EST / Updated: Sept. 8, ... Looper Newsletter. This new "superhero" concept took bits and pieces from sci-fi stories, pulp novel vigilantes, and those lavishly drawn adventure strips that were running in newspapers and combined them, and that idea worked. While at NC Comicon 2016, I sat down with comic journalists/writers Chris Sims and Chad Bowers to talk about their current and upcoming projects. If you clicked on the link to my favorite song above, then you already know how I feel about Christmas. Chris S. Sims – Thoughts on games, fiction, writing, life. The Marvel books, on the other hand, looked new and exciting, with blurbs that promised senses shattering drama and heroes in the kind of peril that Superman could never possibly face. Plus, the reveal at the end—of what Batman is truly afraid of—sets up the gut punch of Death in the Family better than anything. And it's even more impressive when you consider that, according to Sean Howe's Marvel Comics: The Untold Story, Stan Lee and Steve Ditko produced it without ever actually speaking to each other. What follows is an story about fathers and sons, trying to live up to an impossible legacy, and what it means to be someone's best friend in the face of something that's meant to tear you apart—and also fight scenes where country singers get their faces torn off. It's tough to get into, sure, but Onstad has a way with language that's up there with P.G. It's full of silliness, including an opening splash where Superman is being carried by a dozen tiny Kryptonians in the weirdest Pietà ever, but there's also a genuinely earnest quality to it that makes it really affecting. The basic idea is that Magica DeSpell, in an effort to finally steal Scrooge's Number One Dime, zaps Scrooge and Donald Duck with a curse that alters their personal gravity, sending them falling sideways. Joe is way better than it has to be. The page layouts are incredible, especially in the black-and-white issues where Grist uses negative space to create full environments, and the stories are always incredibly clever takes on the tricks of the superhero genre—I'm awfully fond of the one based on the premise of an entire city becoming the Hulk—but the best thing is how effortlessly he juggles multiple storylines, blending them together and separating them out. DC, for what it's worth, rarely if ever mentioned Marvel in their letter columns, but the fact that said columns were mostly devoted to editors arguing with children didn't help. Weirdly enough, it all happened because of DC. — @MelonArrow. The best, though, is the adaptation of A Link to the Past that ran from January to December of 1992. Over the next ten years, Marvel produced some of the best superhero comics ever published, including the Galactus story from Fantastic Four that's basically the blueprint for every "event" comic since, and "The Final Chapter" from Amazing Spider-Man #33, which featured imagery that defined the character so well that it was used in Spider-Man: Homecoming 50 years later. View Christopher Sim’s profile on LinkedIn, the world's largest professional community. The Flash, Green Lantern, Captain America and the Human Torch were in there, too, but even they couldn't make it through the entire time. Over the course of its original 155-issue run (plus another 40 of Special Missions), it produced some true classics, and still stands as one of the best long runs ever. Each week, comic book writer Chris Sims answers the burning questions you have about the world of comics and pop culture: what's up with that? He also did Devil Dinosaur, which is nine issues about a giant red Tyrannosaurus kicking the living hell out of other dinosaurs and occasionally aliens, which rules. You can keep your Killing Joke, this is my pick for the best Joker story of all time. Cookies help us deliver our Services. It all leads to a great story about Joes trapped behind enemy lines that's genuinely thrilling, smart, and surprisingly relevant, and allows the Commander to be sinister and hilarious. My favorite: "Fear for $ale," in which the Scarecrow doses Batman with a chemical that takes away his fear rather than amplifying it, leaving the Dark Knight an overconfident grandstander on a mission to rescue Robin. It's Starks' tribute to '80s action movies like Road House and Commando, with Shane Sexcastle as a former assassin who just wants to work in a flower shop and winds up in a fight scene that lasts for about 120 pages. Joe and Star Wars on the roster of Marvel's licensed comics, and give Marvel complete dominance of the superhero genre. It's not quite as well-known as Rosa's exhaustively researched and beautifully crafted magnum opus, The Life & Times of Scrooge McDuck, but it has a premise so clever that it makes you mad you didn't think of it first, and leads to the kind of story that you can only tell this way in comics. Settle in, we'll be here a while. It's easy to see why they were so successful, too. In the long history of pop culture, there are very few rivalries that have sparked debates as intense as the one that rages between Marvel and DC — especially when you consider that both sides of this particular conflict were shaped by a lot of the same people. Considering he'd just come off 108 issues of Fantastic Four, Kirby's work at DC was surprisingly short-lived, although it remains hugely influential. Looper Staff. That's not to say that the DC comics of the early '60s weren't good. Economics and econometrics research papers and teaching materials by Christopher A. Sims With that, the battle lines were drawn. Oka, I know it's crappy but I just got a whole bunch of new sims, a new computer, and I just wanted to test some stuff out. ", Q: What is your favorite comic of all time, and which comic do you consider the best of all time? Favorite song? Nicholas Vrchoticky. For real, though? Kentaro Takemura and Charlie Nozawa's Super Mario Adventures is terrific, and Benimaru Itoh's StarFox is like Moebius meets Nintendo in the best way. This is a question I get asked a lot, and it's also one of the most difficult to answer. He was also wildly popular in comics, with Captain Marvel Adventures, which ran every two weeks, outselling the monthly Superman books. But, you know, ask me again tomorrow and you might get a different answer. Kelley Puckett and Ty Templeton start with a premise that's been done a dozen times, including on B:TAS itself: the Joker hijacking a TV station to terrorize Gotham via the airwaves. It finally comes down to Ben Grimm, and while he's no match for the Champion's strength, he just doesn't stay down. Throughout the '70s and '80s, the first generation of creators who had grown up with the Marvel Universe became the people behind the comics, swapping creators back and forth and attempting to keep up with each other. The publisher of Atlas, Martin Goodman, employed that time-honored strategy of ripping off a popular idea. Don't get me wrong, that stuff's great, but sometimes, you just want to see a high concept in action. Wodehouse, and a knack for exploring subjects like depression, loss, and Airwolf (the super-helicopter from the television show of the same name) with equal emotional resonance and genuinely hilarious punchlines. In the letters columns that ran in Fantastic Four, he'd trash "the Distinguished Competition" as being "Brand Ecch," and insisted that Marvel's comics were the ones that respected the readers' intelligence, unlike those other guys. Throw in the Silver Age reboots of characters like the Flash and Green Lantern, and DC was putting out the best comics they'd ever published. But even though he lagged behind Shazam in comics sales, Superman had immediately crystallized as a pop cultural icon, partly because each was one of the first to branch out from the page and into another popular medium. The exception was the Hulk, which was canceled after only six issues, but he took off when he got a second shot after appearing in the first issues of The Avengers. Long before Disney took over, though, the corporate aspect of comics publishing led to one of the strangest moments in the history of their long rivalry. In 1992, 16 years before Heath Ledger's performance in The Dark Knight, this was a Joker who tied Jim Gordon to a chair and beat him with a baseball bat while forcing Gotham (and Batman) to watch, all in the name of pure, random chaos. While they were often overshadowed by darker stories like Year One at the time, Mike W. Barr and Alan Davis's run on Detective Comics produced some of the best Batman stories of the '80s, and a couple that are in serious contention for Greatest of All Time status. Endless Entertainment In Your Inbox. At the end of the day, Batman Adventures was every bit as good as its animated counterpart, and stories like this are why. A group of scientists, desperate to beat those dastardly commies to the moon, were exposed to radiation that gave them strange mutations, including turning one of them into a full-on monster. Bill Finger and Bob Kane did it with the Shadow, debuting a blatant knockoff called Batman in the pages of Detective Comics, and there were countless burgeoning creators who did their best to file off the serial numbers and make the next Superman. The result is an epic fantasy that takes a loose approach to the events of the game, introducing new characters and an adventure across a sprawling version of Hyrule to make Link's battle with Gannon seem even bigger than ever. In effect, DC's purchase by Warner Bros. was started in 1967, and by the time the dust settled, the studio had designs on turning DC's roster of popular characters into movie stars — something they did with great success when Superman: The Movie was released in 1978. For all that I love the cosmic mythology of Jack Kirby's Fourth World saga, I have to admit that some of my favorite parts are the ones that don't deal with the nature of good and evil and how that struggle exists within all of us. One final favorite Batman story before we move on, and it's a good one. I can even tell you my single favorite joke on The Simpsons without hesitation, but comics? Rian Johnson’s journey into the not-too-distant future with Looper brought with it an accompanying trip into the world of visual effects, something the director was initially hesitant to do. They'd also broken into TV with cartoons, which mostly had bad animation, but great theme songs. In his case, it was a radio show so popular that they had to invent a plot device that could take Superman out of action — Kryptonite — so that voice actor Buds Collyer could take a break. The thing is, it's also undeniably Santa Claus. ", That's What's Up: The 20 best comics ever. If that wasn't enough to get it a spot on this list, "you brought a you to a me fight" would be. Watch Queue Queue It's brilliant and hilarious, and also involves gunchuks, which are nunchuks that are also guns. I wrote about this one pretty extensively here, but the short version is that Naoki Urasawa's adaptation of Osamu Tezuka's best-loved Astro Boy story is the greatest grim-and-gritty reboot of all time. Since 1961, it's raged on letters pages, online arguments, and even within the comics themselves, and in the era when superhero movies are the biggest thing in Hollywood, it hasn't stopped.

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